“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”
“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”
“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”
“…an Aida of enormous dramatic urgency.”
Das Opernmagazin – AIDA debut, 2019
After a thundering 2019/20 season, including three title role debuts – Puccini’s Manon Lescaut, and Verdi’s Aida and Luisa Miller – and her debut at the Metropolitan Opera as Bess in Porgy and Bess, Elizabeth’s 2020/21 season continues with a return to the role Mimi/La Boheme, and her reinvention as a recitalist with an acclaimed debut at London’s Wigmore Hall. Elizabeth’s debut solo album was released to great acclaim in May, and in July she makes her debut as Alice Ford in Verdi’s Falstaff, directed by Sir David McVicar.
“Elizabeth’s rich, lyric instrument produced refined tone at every point in her wide range… a voice it would be hard to match anywhere in terms of beauty and color.”
Opera News | Magda de Civry, La Rondine
Heart & Hereafter: Collected songs of Samuel Coleridge-Taylor
Debut solo album | Orchid Classics, 2021
Porgy and Bess
August 2018 | Seattle Opera
