“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”
“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”
“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”
“…she unleashed waves of powerful velvety sound…”
Soprano Elizabeth Llewellyn stands on the verge of a very exciting 2019/20 season with engagements including the title role in Puccini’s Manon Lescaut, the title roles in Verdi’s Aida and Luisa Miller, and her debut at the Metropolitan Opera as Bess in Porgy and Bess.
“Elizabeth’s rich, lyric instrument produced refined tone at every point in her wide range… a voice it would be hard to match anywhere in terms of beauty and color.”
Opera News | Magda de Civry, La Rondine
Porgy and Bess
August 2018 | Seattle Opera
