“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”

“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”

“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”

Debut Album Release

28 May 2021
"Heart & Hereafter"
Collected songs of Samuel Coleridge-Taylor

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Falstaff, Alice Ford

July 2021
Scottish Opera, Glasgow
Conductor: Stuart Stratford
Director: Sir David McVicar

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Full schedule

“…an Aida of enormous dramatic urgency.”

Das Opernmagazin – AIDA debut, 2019

After a thundering 2019/20 season, including three title role debuts – Puccini’s Manon Lescaut, and Verdi’s Aida and Luisa Miller – and her debut at the Metropolitan Opera as Bess in Porgy and Bess, Elizabeth’s 2020/21 season continues with a return to the role Mimi/La Boheme, and her reinvention as a recitalist with an acclaimed debut at London’s Wigmore Hall. Elizabeth’s debut solo album is released in May 2021, and she makes her debut as Alice Ford in Verdi’s Falstaff, directed by Sir David McVicar.

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Elizabeth Llewellyn – Magda de Civry, La Rondine – Opera Holland Park, 2017

“Elizabeth’s rich, lyric instrument produced refined tone at every point in her wide range… a voice it would be hard to match anywhere in terms of beauty and color.”

Opera News | Magda de Civry, La Rondine 

Press reviews

Elena, Mefistofele

March 2019 | Chelsea Opera Group

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Elizabeth Llewellyn, solo soprano – Vaughan Williams: A Sea Symphony, Hyperion, 2017

Vaughan Williams: A Sea Symphony

Solo soprano | Hyperion, 2017

Recordings

Porgy and Bess

August 2018 | Seattle Opera

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Elizabeth Llewellyn, solo soprano – Verdi: Macbeth, Chandos, 2013

Verdi: Macbeth

Solo soprano | Chandos, 2013

Recordings