“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”

“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”

“…a voice of pure operatic joy. Her soprano timbre, rich, powerful and faintly smoky, was irresistibly seductive and multi-layered.”

Elizabeth Llewellyn – Tosca – Theater Magdeburg, 2016 – Photo Nilz Bohme

Mozart: Requiem

6-7 November 2020
London Coliseum
Conductor: Martyn Brabbins
Mezzo - Dame Sarah Connolly; Tenor - Toby Spence: Bass - Brindley Sherratt

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Album recording: Samuel Coleridge-Taylor

24-26 November 2020
Potton Hall
Pianist: Simon Lepper
Producer: Patrick Allen

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Full schedule

“…she unleashed waves of powerful velvety sound…”

Soprano Elizabeth Llewellyn stands on the verge of a very exciting 2019/20 season with engagements including the title role in Puccini’s Manon Lescaut, the title roles in Verdi’s Aida and Luisa Miller, and her debut at the Metropolitan Opera as Bess in Porgy and Bess.

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Elizabeth Llewellyn, Soprano – Photo Frances Marshall
Elizabeth Llewellyn – Magda de Civry, La Rondine – Opera Holland Park, 2017

“Elizabeth’s rich, lyric instrument produced refined tone at every point in her wide range… a voice it would be hard to match anywhere in terms of beauty and color.”

Opera News | Magda de Civry, La Rondine 

Press reviews

Porgy and Bess

August 2018 | Seattle Opera

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Elizabeth Llewellyn, solo soprano – Verdi: Macbeth, Chandos, 2013

Verdi: Macbeth

Solo soprano | Chandos, 2013

Recordings

Porgy and Bess

August 2018 | Seattle Opera

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Elizabeth Llewellyn, solo soprano – Verdi: Macbeth, Chandos, 2013

Verdi: Macbeth

Solo soprano | Chandos, 2013

Recordings