Elizabeth Llewellyn inhabited every moment of the work, her rich creamy soprano taking us from celebrating the arrival of spring to a glimpse through the door at the end of lives well lived…
— Bachtrack

Llewellyn’s voice was evenly modulated throughout her range and the glow of her sound was often magical… Llewellyn was at her most radiant in the final song, Im Abendrot — The Guardian

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