“Tosca operates entirely as a prima donna, both in her set-up jealousy as well as in her iron loyalty. Only alone with her lover is she human.Elizabeth Llewellyn plays these changes as closely as she interprets them vocally. For coquettish and playful she finds warm heart-tones. The sound of each note is beautiful, but the vocal-acting makes her Tosca outstanding.”


— Volkstimme

“In the case of “Tosca” [Theater Magdeburg] has engaged a downright dream-cast, which every major house might envy: in the first place to mention is the English soprano Elizabeth Llewellyn who sings and plays a glowing, passionate Diva.”


— MDR Radio, Dieter David Scholz